Cab Calloway was born in 1907, in my hometown of Rochester, NY. We also gave the world Lou Gramm, Wendy O. Williams and Lydia Lunch. You’re welcome, world.
Cab’s mother was a teacher and his father a lawyer. They relocated to Baltimore in 1918, and it was there that Cab’s interest in music began. His parents encouraged this interest, though they weren’t thrilled with the idea of their son playing jazz. Blanche, Cab’s older sister, was also musically inclined and was the first woman to lead an all-male orchestra. She was a big influence on her little brother, and even got him his first break with the show Plantation Days, in 1925. While attending college, Cab went out to hear and perform music as much as he could. Supposedly Louis Armstrong taught him how to scat at one of those early shows.
By 1930, Cab had put together an orchestra and was gaining such prominence in New York City that his group became one of two house bands at The Cotton Club. The other group? Duke Ellington’s band. Calloway’s reputation for putting on dazzling, flamboyant shows might have been seen as a commercially viable way to balance Duke’s more ambitious sophistication. When one group was on tour, the other stayed home; apparently Cab adopted Duke’s plan to get past racist Jim Crow laws when traveling: just buy a railroad car for the whole band.
Calloway’s biggest hit was also his first: 1931’s “Minnie the Moocher.” The song told the comically grandiose tale of a good-time girl doing what she could to keep living the high life. And I do mean high—the song made reference to “kick(ing) the gong around,” slang for smoking opium. Most listeners had no idea.
Minnie is being saved for the big finish. In the meantime, here is one of three Betty Boop cartoons Cab made with the Fleischer brothers. This one features three songs, and like the other two cartoons, has a character whose motion is provided by Cab himself, via the magic of rotoscoping. Here he is, as “The Old Man of the Mountain.”