William Thomas Dupree’s date of birth is debatable—sometime in July of either 1909 or 1910. And the cause of the fire that left him an orphan at the age of two is also sketchy—sometimes he said it had been an accident, and sometimes he said that it had been set by the Ku Klux Klan. What is known is that from then on, Dupree grew up in the New Orleans Home for Colored Waifs, where Louis Armstrong had also spent his childhood. He taught himself to play piano and was later apprenticed by Tuts Washington and Willie Hall. As if that wasn’t enough New Orleans childhood cred, Dupree was also Spy Boy for the Yellow Pocahantas tribe of Mardi Gras Indians.
The 1930’s were spent traveling around the midwest, living in Chicago, Indianapolis and Detroit, where he met Joe Louis. Joe encouraged him to pursue professional boxing, which Dupree did, with gusto—he fought in 107 bouts and won the Golden Gloves. He earned the nickname “Champion Jack” and kept it for the rest of his life.
Dupree moved back to Chicago in 1940, where he was introduced to Okeh record producer Lester Melrose. He liked Dupree’s boogie-woogie take on the blues, and set him up to record eight songs in one day. The disc I found in the archive was the second release from that session. With able, at times percussive, accompaniment from Wilson Swain on bass, here’s “Black Woman Swing,” a story of being down on your luck, being taken in by a good woman, and then finding out maybe she isn’t so good after all.