Tag Archives: Los Angeles

78: “No Wine, No Women” b/w “Rough and Rocky Road” by Mr. Google-Eyes. Okeh 6820. Recorded in New Orleans, 11/21/49.

Image courtesy of The Rodgers & Hammerstein Archive of Recorded Sound.

Image courtesy of The Rodgers & Hammerstein Archive of Recorded Sound.

 

Joe “Mr. Google Eyes” August was born on September 13, 1931, in New Orleans. He cut his musical teeth as a member of the First Emmanuel Baptist Church choir, but it was the blues that really called to him. As a teenager, Joe worked as a delivery boy for Dooky Chase’s restaurant.  According to Dr. John’s autobiography, Under a Hoodoo Moon: The Life of The Night Tripper, “…he loved to eye the ladies; one night a waiter called him “the googlest-eyed motherfucker” he’d ever seen, and the name stuck.” Mr. Google Eyes it was.

Joe would sometimes sit in with bands that played at Dooky Chase’s, and he used the money he earned to buy his own P.A. system, which proved to be a great way to get seasoned vets to give him a shot.  He soon got a steady gig at the Downbeat Club, playing with Roy Brown, who proved to be an influence on his vocal style. August made his debut for the black-owned Coleman Records with 1946’s “Poppa Stoppa’s Be-Bop Blues,” a song paying homage to New Orleans DJ Poppa Stoppa, aka Vernon Winslow. Louisiana wouldn’t allow black DJ’s on the air at that time, so it was Vernon’s job to teach the white DJ’s how to sound more hip; it must have worked, because three different white DJ’s at the same station would use the name Poppa Stoppa over the years. Also: apparently, Poppa Stoppa was a slang term for condoms. Makes sense to me.

He sounds a lot older than fifteen years old here, doesn’t he? Coleman capitalized on the novelty of Joe’s youth by proclaiming him “Mr. Google Eyes — the world’s youngest blues singer.”  Continue reading

Tagged , , , , , , , , , , , , , , , ,

78: “Gotta Go Baby” b/w “Swingin’ The Cat,” “Cats Boogie” and “For Jumpers Only” by Cat Anderson. Apollo 771. Recorded in New York City, May 14, 1947.

Image courtesy of The Rodgers & Hammerstein Archive of Recorded Sound.

Image courtesy of The Rodgers & Hammerstein Archive of Recorded Sound.

 

William Alonzo Anderson was born in 1916 in Greenville, South Carolina. The tragic death of his parents saw him moved to a Charleston orphanage at the age of four. While growing up there, he learned to play the trumpet and picked up his nickname of “Cat,” which was given to him by friends because of his fighting style. He played with a number of smaller groups throughout the Thirties and early Forties, eventually landing a spot in Lionel Hampton’s band. But his career really began in 1944, when he joined Duke Ellington’s orchestra. Ellington—who was unusually willing to share the spotlight with his sidemen—saw a lot of potential in this young man with a five octave range and delighted in writing songs that showed off Anderson’s ability to play higher than anyone else could. In 1944, Benny Goodman’s or Glenn Miller’s Orchestras might have sold more tickets, but Ellington’s band was the place to be if you wanted to musically shine.

So it might seem surprising that Cat left the band in 1947 to pursue his own interests. We’re lucky he did, because “Gotta Go Baby,” the one song I was able to find from this EP, swings hard and well. Check it out.

That was fellow trumpeter Joe Straud on vocals. Anderson employed a full orchestra, but the spare arrangement brings to mind the work of Louis Jordan and the Tympany Five, to these ears, anyway. Continue reading

Tagged , , , , , , , , , , , , , , , , , ,