Tag Archives: Roy Brown

78: “You’re Little But You’re Cute” b/w “Crawfish Crawl” by Link Davis. Okeh 18048. Recorded April 17, 1954 in Houston, Texas.

Image courtesy of The Rodgers & Hammerstein Archive of Recorded Sound.

Image courtesy of The Rodgers & Hammerstein Archive of Recorded Sound.


Lewis Lincoln Davis was born in Sunset, Texas and raised in Wills Point, Texas—about 25 miles east of Dallas. He was one of eight children and his interest in music was strong enough that his father bought “Link” his first fiddle at the age of ten. It didn’t take long until he was playing with two of his brothers at local parties and barn dances. It also didn’t take long for Link to broaden his instrumental knowledge, learning to play the saxophone, piano, bass, and clarinet. He was a good singer too, employing a breathy hoarseness that would serve him well when singing the cajun songs that he’d become known best for.

Link’s very first recording was in the criminally overlooked genre of Western Swing, a wonderful mix of country and jazz styles that might just qualify it as the most quintessentially American genre of music ever. Here he is on vocals (not so hoarse yet—he’s only 23) and fiddle with Ft. Worth’s Crystal Springs Ramblers, in 1937’s “Tired of Me.”


Link continued to play with a number of different acts both live and as a session man in the studio, in particular with Cliff Bruner and the Texas Wanderers. But it wasn’t until 1949 when Link would make his first significant solo recording, “Have You Heard the News?”

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78: “No Wine, No Women” b/w “Rough and Rocky Road” by Mr. Google-Eyes. Okeh 6820. Recorded in New Orleans, 11/21/49.

Image courtesy of The Rodgers & Hammerstein Archive of Recorded Sound.

Image courtesy of The Rodgers & Hammerstein Archive of Recorded Sound.


Joe “Mr. Google Eyes” August was born on September 13, 1931, in New Orleans. He cut his musical teeth as a member of the First Emmanuel Baptist Church choir, but it was the blues that really called to him. As a teenager, Joe worked as a delivery boy for Dooky Chase’s restaurant.  According to Dr. John’s autobiography, Under a Hoodoo Moon: The Life of The Night Tripper, “…he loved to eye the ladies; one night a waiter called him “the googlest-eyed motherfucker” he’d ever seen, and the name stuck.” Mr. Google Eyes it was.

Joe would sometimes sit in with bands that played at Dooky Chase’s, and he used the money he earned to buy his own P.A. system, which proved to be a great way to get seasoned vets to give him a shot.  He soon got a steady gig at the Downbeat Club, playing with Roy Brown, who proved to be an influence on his vocal style. August made his debut for the black-owned Coleman Records with 1946’s “Poppa Stoppa’s Be-Bop Blues,” a song paying homage to New Orleans DJ Poppa Stoppa, aka Vernon Winslow. Louisiana wouldn’t allow black DJ’s on the air at that time, so it was Vernon’s job to teach the white DJ’s how to sound more hip; it must have worked, because three different white DJ’s at the same station would use the name Poppa Stoppa over the years. Also: apparently, Poppa Stoppa was a slang term for condoms. Makes sense to me.

He sounds a lot older than fifteen years old here, doesn’t he? Coleman capitalized on the novelty of Joe’s youth by proclaiming him “Mr. Google Eyes — the world’s youngest blues singer.”  Continue reading

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